Biography:
A native Oregonian, Mary grew up surrounded by tools and
books. She was a quiet, determined and introspective child.
She started Oregon State University with a Science major
and Art minor. Various things happened eventually resulting
in B.S. and M.S. Civil Engineering degrees, living in Eugene
for a third time, becoming a full time artist and establishing
Oregon Odyssey Artworks in 1997.
Mary’s
expertise is with kiln-worked glass, but she is incorporating
torch and furnace glass as she gains those
skills. She is still surrounded by tools and books. Mary
recently married fellow glass artist (and engineer) Chris
Mini and she reads whatever Chris puts in front of her. They
have an impressive collection of shops* and tools from which
they make their living.
Mary
was State President of Oregon Glass Guild and also President
of the Eugene Chapter. She is on staff at the Eugene
Glass School and teaches at Coos Art Museum, the University
of Oregon‘s Craft Center, in her studio and other
venues. Her work has sold at Glass Art Society, Eugene Glass
School and the Liberty Museum (Pennsylvania) auctions and
is in numerous galleries and private collections. She and
Chris specialize in lighting commissions, mixed media pieces
and installations.
*Metal shop, wood shop, fusing studio and a cold shop is
coming.
Artist Statement:
I have always been fascinated by how water, mirrors, ice
and glass can alter and obscure views of reality. The interplay
of transparency, opacity and color play a pivotal role
in my art.
Artistically drawn to both nature and abstracts, a recurring
theme is fish. This interest arises from experiences involving
transitions between shallow sunlit water and deeper dangerous
depths; love and betrayal. Abstracts dissolve the remaining
barrier between emotion and expression and are intensely
satisfying to me, especially as a vehicle for color. Resonating
to the interplay of hidden and revealed, implied and obvious
forms are often realized as interior spaces and windows.
I enjoy
working with the technical demands of glass while appreciating
the immediacy and spontaneity of the medium.
Often, the material will lead me down an unplanned path.
My interest in abstracts and in fish, Nature’s abstracts,
is well served by a flexible and experimental nature. A
nature not satisfied by my former career as a professional
Civil Engineer.
My
personal motto “A new day, a new idea.” is
better suited to an artist’s life.
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