Biography:
In
the early 70’s Jim Callantine attended business
school to be a computer programmer. While he enjoyed programming
and its creativity in manipulating data, it did not offer
him the physical contact needed to create something special;
that special aspect one can see, touch, and smell.
Starting
in the mid 70’s Jim started a business in the arts
of jewelry and metal smithing. This involved work in copper
embossing, lost wax casting,
and carving. This was short lived and he took up with a wood collector. Jim
and his partner traveled the coast and searched the forest for burls and root
sections, cut into 2” slabs using an Alaskan mill. They sold these slabs
to other collectors and wood workers in Oregon, Washington, Idaho, and Northern
California. This evolved into a business of making root sections into tables,
clocks, mirrors and various other wood products. Jim honed his skills in identification
of different woods, colors and the design it would reveal when cut. He learned
the use of oils, resins, glues, steaming and bending techniques. Along with
the woodworking, he started a metal sculptor business to accent his wood products
and accumulated a variety of tools and skills in the metal trades.
He
started a woodstove installation company in the 80’s
which led to maintenance and warranty work for wood stove
manufacture’s. The business evolved into a full service
company in which he provided service in chimney and fireplace
repair and chimney lining with stainless steel materials.
He was a distributor of Chim Tec products from Europe, which
was used to line chimney’s for high temperatures and
zero clearance to combustibles. He was a subcontractor for
many homebuilders, wood stove companies, architects, and
development corporations. With masonry experience, he learned
to install glass block as decorations, windows, and office
walls. He knows an extensive network of architects, builders,
and artisans.
This
led to a business in remodeling and light commercial. The
years in the construction trades took its toll on his
shoulders. He returned to school and received an Associate's
of Science degree in Civil Engineering. His work has been
in the field of mapping and GIS data gathering. As in programming
in the early 70’s the physical creativity was lacking.
Jim began to take classes in photography and learned the
art of photo transfer, and photo emulsion. Removing the inks
and thin film layer from Polaroid film and adding them to
paper, glass, and leather, almost anything. This lead to
a glass fusing class (and watercolors). This time glass is
his medium. He has taken numerous classes, workshops, and
attended seminars. At this time, he is offering classes in
glass fusing techniques, welding, and sand carving, mold
making, and glass casting. With glass, methods of display
are necessary and metal sculpture is back in the mix along
with copper, brass and steel. With building standards coming
into play in home and office construction, the need for larger
scale projects in glass is becoming more available to the
glass artist. This is now the direction he is taking his
trade and talents.
Jim has added a new dimension in his work with the joining
of the Pacific Northwest Sculptors guild and is experimenting
with the inclusion of brass, bronze, and copper metals and
powders within fused glass. Casting glass is playing a larger
part of his glass work and regular meetings with like minded
people are taking place at his studio. Classes in casting
glass and bronze at the studio are becoming more frequent.
Casting with Borosilicate plate glass is always on the edge
of experimentation.
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